THE AMERICAN MIRROR PROJECT
In 2023-2024, Deborah Pae and the Formosa Quartet will be launching the AMERICAN MIRROR PROJECT, a collaborative initiative that holds up mirrors to America and provides personal reflections of what America means. What does your America look like? What comes to mind when you think of America? What aspects of America reveal themselves to you through your lens? Centered around dynamic musical performances with the potential for cross-disciplinary collaboration, our project seeks to unite diverse points of view and investigate complex socio-cultural issues in a thought-provoking exploration of American music.
This project is an opportunity for the Formosa Quartet to showcase their own evolving reflections on these questions while creating a platform to mirror others and their communities, and the places in which these performances happen. The Formosa Quartet invites fellow musicians, composers, creatives, students, and educators across disciplines to reflect on this question and in answering “What is America” to them, broaden ways in which they mirror “America” in their own creative practice.
Initially conceived as a Formosa Quartet program offering, the “American Mirror Project” has expanded to include dialogue and collaborations across the country in order to deepen our appreciation of America’s cultural diversity and complexity.
WHAT’S IN YOUR WALLET: MONEY MANAGEMENT 101
On April 28, 2022, MusiCares and Deborah Pae presented a webinar focused on money management for music creatives. This workshop will focus on tangible ways to gauge your emotions around money, assess your financial health, establish and prioritize your financial goals, and utilize techniques to save and manage your money in empowering ways.
FINANCIAL WELLNESS: THE PSYCHOLOGY OF WOMEN AND MONEY
On April 22, 2022, MusiCares and the Recording Academy Chicago Chapter presented a financial wellness program focusing on the emotional facets of money management and how women in the creative community can build strategies for financial success. Cellist & Associate Professor of Cello at Eastern Michigan University, Deborah Pae, and Dr. Shay Thomas, DMFT, LMFT discussed the psychology of money which impacts areas of financial literacy; myths/beliefs in diverse communities, earning power, and retirement.
EDUCATIONAL RESIDENCIES
Over the course of the last decade, Deborah Pae has given cello and chamber music masterclasses at numerous institutions including the Juilliard School, the University of Michigan, Columbia University, the University of California, Los Angeles (UCLA); University of California, San Diego (UCSD); Rice University, the University of Houston, San Diego State University, Heidelberg University, Eastern Michigan University, Smith College, Longwood University, and Bowling Green State University. Abroad, she has worked with students and scholars from the Taiwan National University of the Arts, Tunghai University, and Academia Sinica.
Many of these residencies involve instrumental and chamber music masterclasses, often including special faculty and student collaborations, open rehearsals, and performances, and workshops / panel discussions on career development, stress management, ‘What it takes to be a 21st Century Musician’, and financial literacy for musicians.
GOOGLE ARTS & CULTURE
In April 2021, Google Arts & Culture featured the Formosa Quartet’s performance "Double Quartet: Strings and Spaces", which opened the EMPAC: 10YEARS Festival Performances, a three-day festival at Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute. Viewers anywhere in the world can now visit this newly released online exhibit on Google Arts & Culture and experience all the cross-disciplinary performances spanning music, dance, theater, film, and many experiential spaces in between!
NLP TRIO’S DEBUT ABLUM | MASTERPIECES AMONG PEERS
In June 2020, the Namirovsky-Lark-Pae Trio released their long awaited and award-winning debut album “Masterpieces Among Peers’ under TYXArts. This album pairs Frank Bridge's Piano Trio No. 2 and Brahms' Trio No. 1 in B major, one of the most beloved and cherished compositions in the piano trio genre. Due to the severity of the coronavirus pandemic and the album’s release coinciding with such a tumultuous time in the world, the trio quietly released the album without making any announcements. In August 2020, NLP Trio’s debut album was awarded the German Record Critics' Award / Preis der deutschen Schallplattenkritik in the category of Chamber Music. Next to the GRAMMY Awards in the United States, the Echo Klassik in Germany, and the ICMA-International Classical Music Awards, the Preis der deutschen Schallplattenkritik is one of the most notable honors in Europe. Since then, “Masterpieces Among Peers” has received international acclaim and was named one of the 5 Best Albums of 2020 by German Classical Music magazine Fono Forum.
of radiances blossoming in expanding air
On May 4, 2019, Deborah Pae gave the world premiere of the new cello concerto of radiances blossoming in expanding air by award-winning American composer Jeffrey Mumford with conductor Matthew Szymanski, and the Phoenix Orchestra (Boston). The premiere took place at District Halle. This new concerto was made possible in part by the generous support of the Crickett Foundation.
of radiances blossoming in expanding air has the following instrumentation: solo cello, strings, single winds, single brass, harp, and one mallet percussion. The 'cello, which is featured in a series of ongoing developmental relationships with soloists and ensembles within the orchestra, generates motivic and articulative materials which spread throughout its fabric. What results are new timbral combinations, enlarging upon the central voice, thus increasing the number of sonic possibilities in an expansive space. Much of the work's harmonic material is based on the letters of her first name: D Eb Bb (or) A (h).
Deborah has enjoyed a longtime collaboration with Jeffrey Mumford and has performed a number of his works including: variazioni elegiaci (solo 'cello) (1979-80, rev. 1997), revisiting varizioni eligiaci...once more (2001), and 2 rhapsodies for ‘cello & strings (2009 – 10, rev. 2013) with David Ellis and the Earth and Air String Orchestra in Cleveland, OH.
CON ANIMA
April 19, 2019, with less than five hours’ notice, Deborah Pae stepped behind the recording booth and served as producer for the recording of Tigran Masurian’s Con Anima for String Sextet by artists Movses Pogossian (violin), Varty Manouelian (violin), Kim Kashkashian (viola), Teng Li (viola), Karen Ouzounian (cello), and Michael Kaufman (cello).
Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian’s 80th birthday, the Con anima project brings together a dedicated cast of players to perform the Armenian composer’s chamber music. The emphasis is on newer pieces - only the Third String Quartet dates from the 20th century - but there is a timeless quality to Mansurian’s work, all of which resounds with the spirit of his homeland. The title work ‘Con anima’ is one of six chamber music works by the celebrated Armenian composer. This recording was released on June 11, 2020, by ECM Records and marks Deborah Pae’s debut as a producer.
FORMOSA QUARTET | FROM HUNGARY TO TAIWAN
On January 4, 2019, Deborah Pae and the Formosa Quartet released one of their most imaginative recording projects titled “From Hungary to Taiwan'' (Bridge Records). This album showcases a virtuoso treatment of folk music from Hungary and Taiwan, illuminating many aspects of the two cultures, all within beautifully rendered new classical compositions. Three of the four works on this album are Formosa Quartet commissions, highlighting the ensembles leading role in actively commissioning new works: Dana Wilson’s Hungarian Folk Songs, Lei Liang’s Song Recollections*, and Wei-Chieh Lin’s Five Taiwanese Folk Songs. Finally, the four work on the recording incorporates arguably, the greatest masterpiece of 20th-century string quartet music — Bartok's incandescent String Quartet No. 4. Winners of both the First Prize and Amadeus Prize at the London International String Competition, the Formosa Quartet was hailed as "spellbinding" by BBC Music Magazine.
(*)This commission has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund.
EMPAC 10YEARS | DOUBLE QUARTET: STRINGS AND SPACES
On October 11, 2018, the Formosa Quartet’s performance titled Double Quartet: Strings and Spaces opened the EMPAC: 10YEARS Festival Performances, a three-day festival at Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute. Curated by founding director, Johannes Goebel, and members of the ensemble, the Formosa Quartet led audience members on a unique musical journey through all four state-of-the-art EMPAC venues—the Concert Hall, Theater, Studio 1, and Studio 2—delving into an exploration of physical placement, acoustics, perspective, and ways in which art and space define each other.
THE SCHUBERT COLLECTION
From July 2015 to May 2016, Deborah Pae released The Schubert Collection, a set of live video recordings of works for cello and piano by Franz Schubert. Viewed as one of the most challenging transcriptions for cello and piano and difficult works to capture the expressive simplicity of the composer’s writing, Part 1 of the collection was of Schubert’s Arpeggione Sonata with pianist Dana Protopopescu (July 27, 2015).
Nearly a year later, Deborah and pianist Misha Namirovsky released Part II of the collection titled Song Without Words on May 30, 2016. Part II included three songs transcribed by Deborah for cello and piano from Schubert’s song cycles: Die schöne Müllerin - Der Müller und der Bach D. 795, Heidenröslein D. 257 (Op. 3/3), and Litanei auf das Fest Allerseelen, D.343.
The Schubert Collection was filmed at Studio Haas Teichen at the Queen Elisabeth Music Chapelle in Waterloo, Belgium where Deborah is an Associate Artist in Residence. Part I: The Arpeggione Sonata was filmed and recorded by Luc Baiwir. Part II: Song Without Words was filmed by Wash Productions and recorded by Musiq3 & Outhere Music.
SAINT-SAËNS CONCERTO NO 2
In December 2012, caused by a last-minute personnel change, Deborah Pae was asked to step in on a moment’s notice to record the Saint-Saëns Cello Concerto No. 2 in D minor with the Orchestra Philharmonique Royal de Liège under the baton of Christian Arming. Only vaguely aware that there was a second concerto written by the composer rumored to be exponentially more difficult than the famous First Concerto, Deborah seized the opportunity and began learning the piece. In less than two weeks, she memorized the concerto and performed it live with the Orchestre Royal de Chambre de Wallonie in Belgium. Several weeks later, Deborah traveled to the city of Liège where they rehearsed the concerto once with the Orchestra Philharmonique Royal de Liège and recorded the piece the same afternoon. The recording, which became Ms. Pae’s first commercial solo recording, was produced by award-winning producer Aline Blondiau and released by Outhere Records while she was Artist-in-Residence at the Queen Elisabeth Music Chapelle. The album has garnered awards and five-star reviews from Diapason D’Or, Klassiek Centraal, and Supersonic Pizzicato.