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“...the most poignant moment in Sunday’s program was cellist [Deborah] Pae’s entrance in the Adagio. It was sublime.”
“Pae made searing drama out of Mumford’s dramatic solo lines, punctuated by pizzicatos and answered by snap pizzicati from the double bass.
Tchaikovsky’s arrangement of a movement from his D-Major String Quartet...Here, she had the opportunity to show off her handsome and perfectly-centered pitch in a noble, almost Elgarian Andante cantabile. Among other delights, her lyrical treatment of a sequence of repeated notes was magical.”
“Pae’s resonant cello solos in both the Liang and Wilson works displayed a sophisticated technique...”
“When wonderful music is wonderfully presented, with some genuinely innovative approaches to the works and methods of performing them, the pleasures of listening to recordings are doubled and redoubled. [Deborah Pae’s] superb tone, judicious and carefully chosen phrasing, and a high level of interpretative intelligence are the hallmarks...Listening to [her] perform with tremendous technical assurance and a maturity and understanding well beyond [her] years is a source of unceasing delight throughout this recording.”
“...exceptionally gifted.”